When A Good Son Goes ‘Bad’

by Pablo A. Tariman


Lockdown director Joel Lamangan with executive producer Jojo Barron.

Joel Lamangan’s Lockdown with compelling script by Troy Espiritu is a rendering of the pandemic experience as it happens to a poor family.

There are images of true-to-life lockdown as the film unfolds.

There are references to the pandemic ‘ayuda’ and how it ends up with the wrong people and how guards manning the quarantine checkpoints make life difficult for ordinary people.

Danny Asuncion (Paolo Gumabao) is a Filipino OFW who returns home after his source of employment closed shop with the spread of Covid-19.

He goes home and cannot imagine himself being quarantined for another 14 days as he worries about the status of his family. He escapes the quarantine routine and heads for home to find his family in such dire situation.

His father has stopped driving due to illness and the cost of medication slowly stares at him in the face.

The initial scenes show Danny (Gumabao) as a concerned son helping take care of an ailing father. But his medical needs can’t wait any longer.

Then he turns to the unthinkable.

Although he initially turns down the idea, he slowly grapples with the situation only to realize he had to decide fast to save an ailing member of a family.

The turning point is when he is reunited with his school chum Lito (Paul Jake Paule) and briefly relives the old times.

The film has tight focus and goes right into images of lockdown as it happens to a desperate son determined to help his family. Initially, he tries other jobs but the pandemic has rendered employment literally non-existent. Many factories closed shop with small and big business unable to cope.

In the end, the poor OFW turns to Lower Depth and this is where viewers come face-to-face with the realm of the senses.

He meets someone who manages a cybersex station and with the prospects of good pay, he throws caution to the wind to get the best of what the job has to offer.

This is the life of young macho dancers lured into cybersex. They cater to the whims of the depraved and here Director Lamangan turns Lockdown into a virtual journey to hell.

What the performers go through and why they had to stay put and why they had to go through degradations is the meat of worldly existence as it happens during the pandemic which wiped out sources of decent jobs.

It can’t be helped that the film had to unveil harsh reality so shocking you could feel the silence of shock among the live preview audience.

As the film unwinds, there is no doubt that Lockdown has given birth to a sensitive actor in the person of Gumabao as the returning OFW.

Paolo Gumabao in Lockdown.

He carves a sensitive portrait of a good son who would try anything to save his family. The transition from a good loving son to a cybersex worker Gumabao managed to tie down to the last squirmy detail.

It is a razor-sharp delineation and a finely crafted portrayal and a well-focused one.

He is Everyman in time of the pandemic and the remaining pillar of hope of a desperate family.

To be sure, other actors stood out. Jim Pebanco as the maintainer of the cybersex station is a virtual portrait of fake kindness and evil and his sleazy connection with the military speaks a lot about the nature of corruption in this country.

Alan Paule as the police coronel is a two-faced character as protector and closet pervert. The actor pulled off the obvious contrast with great, if, subtle acting dispatch. The other members of a tight acting ensemble include Ruby Ruiz and Angellie Nicholle Sanoy, among others.

On the whole, the latest Lamangan film is poignantly moving and shocking by turns. It can’t be helped that it is a quiet indictment of people who are supposed to look after the underprivileged.

It helped a lot that the script is tight and taut and the director has the imagination to make something of the shocking narrative.

It is the quiet moments of the OFW in the breakwater contemplating his life that gives the film moments of fine introspection.

Lockdown is one of the best of Lamangan and certainly a standout film in time of the pandemic. It is by turns depressing and shocking but it is the truth. Whether we like it or not, the film is about low life during the era of covid-19.

* * *

Paolo Gumabao isn’t an instant looker as he blends perfectly with people around him.

One saw him initially in the teleserye, Huwag Kang Mangamba where he is the sidekick of a fake healer and a corrupt mayor.

Are you the same Gumabao in that teleserye? I asked him.

Yes, he answered.

The actor said he was moved by the character he played when he first read the script. He found his part real and worthy of a big challenge.

The nude scenes didn’t faze him. To him, it was just work and he went through it without hesitation. “Direk Joel (Lamangan) made it clear that the film isn’t the kind that comes pretty often. He didn’t even make me act during the audition. He gave me this look and I guess he decided out of pure instinct that I could do justice to the part.”

It was no easy life for the young actor.

Born in Taiwan, he grew up in Catanduanes before moving to Quezon City.

He didn’t know about his biological father (the actor and former congressman Dennis Roldan a.k.a Mitchell Yap Gumabao) until he was 14. He grew up with a Chinese stepfather who remained close to him even after separation. When he decided he was ready to see his father, things didn’t work out right. By then, his father was in jail.

Now 23, Gumabao has led a varied life enough to teach him not to judge people. “When I was preparing for my role, I knew the character had very little choice. It was then that I realize you cannot just judge people especially those you don’t know. You cannot judge cybersex performers just because they ended up in that job. Many things happening to people during the pandemic are not known to many. They just judge people and that is not fair. The film mirrors sordid reality and we have no right to judge them for what they are going through.”

Thus far, Paolo has worked in a total of seven movies which include Lockdown, HorrorScope, Mga Batang Poz, I Love You Death, and Haunted Mansion.

Director Lamangan, 68, has been directing since 1992 but before that, he had assorted lives as stage and film actor and director.

Said he: “The good thing about this new medium is that we are not subject to censorship as films are not shown in regular venues. Hence, we can do anything to make the story realistic. This allows us to tell the story as they are and closer to truth.”

Lamangan is no stranger to films depicting exploitation of the poor.

In Bhoy Intsik, he dealt with a milieu into drugs and selling internal organs to survive.

Of course, how can one forget his film The Flor Contemplacion Story which is about another OFW who met untimely death in Singapore?

“When we get through all these hard times,” said he, “I’d like to do a political film showing the kind of leaders we ended up with through the years. It is going to be difficult but I would like to do this project to wrap up my film career.”

Produced by the For the Love of Arts Films, Lockdown will stream worldwide on July 23 through ktx.ph, upstream.ph and RAD.

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